加州的陽(yáng)光真好啊標(biāo)準(zhǔn)放松愉樂(lè)片真的喜歡美洲從小對(duì)南美北美都有一種莫名的clinging. “Love is not blind and it's not a battlefield. And It's not the Sun or the Moon or everything we load on to it. It's just a word until someone gives it meaning.
C / 馬力克的鏡頭似乎總是流動(dòng)柔軟不斷向水平兩側(cè)畫(huà)外滲透的因此哪怕在描繪人物最痛楚最受壓迫的時(shí)刻他也以影像的神性給予其延展的喘息但這種空間的營(yíng)造始終難逃同質(zhì)化抒情的風(fēng)險(xiǎn)本片里最攝人心魄的反而是那些構(gòu)造了垂直視點(diǎn)的時(shí)刻:讓監(jiān)牢真正逼仄逃無(wú)可逃讓天空不再寬廣而只剩下信仰的叩問(wèn)在試圖讓一切無(wú)縫連接的世界中偶爾的斷裂反而更被需要——好比Franz就是那個(gè)時(shí)代的斷裂位點(diǎn)一樣